自卫的艺术 The Art of Self-Defense(2019)
又名: 都是自卫惹的祸(台) / 自我防卫的艺术 / 自卫艺术
导演: 莱利·斯特恩斯
编剧: 莱利·斯特恩斯
主演: 杰西·艾森伯格 亚历桑德罗·尼沃拉 伊莫琴·普茨 菲利普·安德瑞·波铁洛 利兰·奥瑟 乔希·法德姆 杰森·伯基 大卫·泽尔纳 戴维·约翰逊 Steve Terada Dallas Edwards
类型: 喜剧
制片国家/地区: 美国
上映日期: 2019-03-10(西南偏南电影节) 2019-07-12(美国)
片长: 104分钟 IMDb: tt7339248 豆瓣评分：7.4 下载地址：迅雷下载
简介：
- Bleecker Street购得莱利·斯特恩斯执导的黑色喜剧新片《自卫艺术》 的全球发行权，杰西·艾森伯格、伊莫珍·波茨、亚历桑德罗·尼沃拉主演，艾森伯格饰演一个在街上莫名遭遇攻击的倒霉孩子，后加入柔道训练学校跟着极有魅力又充满神秘的师傅(尼沃拉饰)学习自卫防御术，揭开了充满兄弟会情谊、暴力、超男子主义的邪恶世界的面纱，波茨扮演的女主角正努力奋斗想取得一席地位。该片已于周一在肯塔基开拍。
演员：
影评：
无辜社畜为何备受排挤？善良狗主为何惨遭群殴？镇环十三少深夜飙车，是否有人指使？修得一指禅的传说大师，究竟何方神圣？空手道馆背后又隐藏着哪些不为人知的秘密？这一切的背后，是人性的扭曲还是道德的沦丧？欢迎阅读春天的放牛班双十一特别报道：《自卫的艺术》。
对于如今蓬勃的电影市场里一言不合就狂砍几亿甚至几十亿的商业大片来说，无明星加持、宣传不足的小成本电影一直不那么引人注目。但在较少资本的干预下，创作者们各种各样的想法能更大程度上得以表现，手法、题材以及风格更是五花八门、类型各异。正因如此，小成本电影充满着一种主流大片不具备的生命力，时不时跳出来给你个大惊喜。
本期影片《自卫的艺术》便是这样，在轻松喜剧的外衣下，一路挖坑加反转，露出又黑又邪的本性。
春天的放牛班周限定观影第二十六期——《自卫的艺术》本期周限定共有11位好朋友上车，共11条短评，平均分7分。
话不多说，快来看看大家对这部影片有什么看法吧~
————————我是狂踩油门的分隔线————————
第一站：别问，问就是爽就完事了！
@ 幼儿园校车司机 8.5/10
你想杀了我吗，朋友，请你给我一点威胁好吗？你想变更强吗，朋友，请你有点男子气概好吗？快来猛男空手道馆吧！性感教师，日夜授课，陪您high翻天，给您不一样的搏击体验。并提供各类放松运动，按摩飙车，业界体验最佳；段带升级，以小博大，紧张刺激。
@ 幼儿园园长兼校车部部长 8/10
本以为小学鸡的复仇之路是那种被洗脑之后打了鸡血，就像《羞羞的铁拳》那样常规模式的通关，然而并不是，看到后来才发现居然有一点《楚门的世界》的赶脚，而且这种黑化是不按套路的，在愤怒面前，规则都是狗屁啊。
@ 幼儿园体♂育老师 7.5/10
一本正经地令人捧腹，跳出寻常套路，下一秒的发展永远不在预料之中，对于这样一部又黑又疯的喜剧电影，抛弃掉理性去观看才是最好的选择。
@ 幼儿园音乐老师兼礼炮炮手 7/10
开头看着挺没劲的，没想到后半段逐渐上头，卷毛演这角色已经信手拈来了，看着虽然搞笑，实则黑到了骨子里，环球每年还能发行这些电影，证明它们还没忘了自己是靠什么发家的，点赞。
不得不说这部电影的套路和反套路运用的都很好，配合男主卷毛出神入化的演技（传说中的搭眼一看就是怂逼），效果很棒。
嘤嘤嘤第二站：笑点和深度，我全都要！
@ 幼儿园班主任 8/10
本来以为卷西终于告别高语速神经质的表演了，万万没想到也就是缓解了一点而已……wtf大戏，不过人物性格转变有趣，而且有几个小伏笔很亮，剧情上的巧合还是有点遗憾。
@ 幼儿园美术老师 8/10
“用枪说明我软弱，但我活着而你死了，因此这说明你更弱”“我不遵守规矩，因为世上本无规矩”制定规则的人靠规则来压制甚至伤害他人，最终却恰恰死于对规则的过分执着。所谓自卫的艺术，其实既非固守成规也非无故暴力，而是猝不及防打破规则。这一切其实从一开始就是个被设好的局，只不过Casey的反手上位的的确确是在原本发展路线之外，跨越等级由下翻上，何尝不是又一个轮回。
@ 准时上车的学霸 8/10
自卫的最佳方法——先发制人自己先成为坏人？ 黑色且cult的一部电影 从一开始就吸引住我 后面慢慢的渐入佳境 空手道也是有阶级的 俱乐部还真是个小社会啊 卷毛还真的就一步一步成功的成为自己所害怕的那种人呗 喜欢这个结局 最后的转变一点也不突兀 甚至可以大致猜的出来 前面的几处小伏笔 有点味道的
老师态度强硬，实则为了掩盖自己的外强中干，一方面死守规则，利用武力强迫别人服从；一方面又利用规则，通过制造不平等来进一步巩固自己在道场，这个微缩社会里的地位。
他以帮助别人变强的名义满足自己宣泄暴力以及赚取不义之财，“完美”的规则之下，他的欲望也逐渐膨胀，甚至于想通过外借象征等级的腰带来实现一手遮天的目的。身体上进行自卫，心理上却成了空城，太过于依赖暴力，最终也必会被暴力吞噬。
小黄从软弱社畜到最后颠覆规则，走了一条和老师相似的路。有秘密隐藏便会有黑暗，最后屠龙的他变成恶龙了吗？值得一想。
第三站：不好意思，我晕车~
@ 哄睡专业户花园宝宝 5.5/10
概念很好，卷西的表演也更有层次感。但讽刺现实的主题随着文本走向逐渐失去现实性，是主题表达伤痛。视听语言的累赘与错误比比皆是，希望有高概念的导演不要放下概念之外的标准，本该是极佳的作者电影。
@ 学霸研究员 6/10
看完想到Friends里的Ross，和这个电影里的男主都是学霸去锻炼，都话多，都有点神经质，学完都多多少少更不正常了。。。美国环境对空手道是不是有点偏见，从没见影视角色学完拳击不正常的。。。
@ 歪？毛毛妈吗？这孩子我们教不了... 4.5/10
##系列。导演想象中讽刺，意识形态意趣妙，男权政治一锅炖。现实与否不重要，重在主题完成度。跆拳道馆无道法，咖啡店里一种咖。性情转变实是水，简单粗暴值得夸。不觉轮回是专权，解决坏人非坏人。节奏不如放快点，硬套故事需翻篇。
@ 立冬了，多穿衣服，多喝热水 6/10
冷。
以上就是本期全部评价了，第一次写周限定长评，文笔拙劣表达不当还请各位海涵，也欢迎指正交流~
【硬广时间】冬天来了，不抱团取暖盘腿唠嗑怎么行！春天的放牛班的车门永远为大家敞开着，欢迎各界大佬来放牛班玩耍！入团请骚扰校长@ 以及宣传委员@ 好好学习或与@ 厮混
God is dead. God remains dead. And we have killed him. How shall we comfort ourselves, the murderers of all murderers? What was holiest and mightiest of all that the world has yet owned has bled to death under our knives: who will wipe this blood off us? What water is there for us to clean ourselves? What festivals of atonement, what sacred games shall we have to invent? Is not the greatness of this deed too great for us? Must we ourselves not become gods simply to appear worthy of it? -- Nietzsche, The Gay Science
The film starts with our martyr whose name is Casey. Casey has been carpentering for a company diligently for 10 long years as a sensible accountant. But since he is in a surrealistic film, his coworkers deny him of everything. He is biologically alive but devoid of being-in-this-world. Even the narrator bullies him by expose to us his most private moment of musterbation. He is a slave, living in the antithesis, the denial of his own being-aliveness. Unable to act for himself, voluntarily disavowing all of his own liveliness. He lives his life as if his alivneess itself is a sin and a torment. And which is possibly due to an ancestor or his being tricked to bite a fruit.
He was crucified by four gangsters from Motorbike Ville. Life instinct kicks in. Resurrected on a hospital bed. He is reincarnated with the superpower of affirmation. Immediately he affirms his own life. He wants to be alive. He wants to protect himself. He doesn’t know how. The teller told him a hand-gun will do. Yes. The ultimate phallic signifier.
Affirming is, however, not easy. He bumped into a contender of his will of “to own a handgun” — it was the rule number 11 of the Karate Academy — “Guns are for the weak.” He acted like an orange peremptory bady. He stopped affirming his own life and began to affirm the reactive thought of “I am not weak.” He found himself a new passion. Yes, the Karate Academy will save him.
His protagonist sized life instinct propels him forward. After only two months of training, as a yellow belt, he defeated his brown-belt classmate. He is now ceremonially a real karate man.
But an antithesis can not exist by itself. It logically presupposes a thesis. And in our case the thesis is “Karate is for the strong” and it in turn presupposes the Karate Academy’s(the slogan giver’s) existence. His yellow belt is an amulet signifying the Academy. It empowers him. He can not affirm himself without it. He needs the academic affirmation to be a phallic-owning real man.
The Academy reels in, all of this is but the Sensei’s trap. The Sensei now demands our protagonist to serve him. Whatever Casey feels, whatever he wills, the Sensei overpowers him. He is again being bullied. Only this time with blood dripping down from his hand. He ceases to be a man, he is a tool willed by Sensei. He eventually ceases to be a human. The cost to be a real karate man is to give up his own life.
The acute memory of the Motorbike Ville woke him up. He wills again to be alive. He has learned his lesson. Using a pistol he killed the Sensei, took over the myth of the “index finger technique” which is the local phallic signifier in the academy and became the crowned king of a new dynasty.
The film ends here, and Nietzsche can only guide this far. There is no guarantee of a happily ever after. It's up to Casey to decide what to do next, and we have all seen how easy it was to fall into a trap. Our society is a web of traps weaved by those powerful but insecure people. “只能說當超人真的好難” said Jay.
Epilogue: Nietzsche the Nihilist. Nihilist, noun, “a person who believes that life is meaningless and rejects all religious and moral principles.” This can not be any further from the truth. The “nihilism” of Nietzsche is a two-fold formation. At its very core it a radical affirmation of one’s own life, of one’s own vitality, and of one’s own will to create personal values and to live by those values. It is in comparison to this stronger inner will to live that the outside laws seem afloat, hence can be rejected. This film is an excellent demonstration of the destructive potential of letting a social construct to take prior position over one’s own existence(Crusade, Fascism, Isis, to name a few in real life). And because of this rejection of all outside influences, this rejection of all fundamental law that can be used to judge one’s life, one’s life is then reciprocally said to be “meaningless.” The phrase “God is dead” should be followed by “long live the gods within.”
一、男主弱小但不弱势，大小是个小白领，比较怂罢了，应该能引发大面积的共情效果；
二、序幕，法国人用法语侮辱其实正在学习法语且程度较高的男主，不断拿男主生殖器大小做文章，这一幕看似闲笔，实属高能，漫不经心间为后面剧情埋下多处伏笔，比如男主的逆来顺受，赏图自摸，购枪，男学员互相按摩，食指（字幕组很调皮，译为一指禅。。。）等；
三、腰带不是简单的社会等级隐喻，对男主而言，无腰带，不雄起；
四、枪的联想不言自明，但很丰富，作为男主的致胜武器，完美反讽第十一条规则：The gun is for the weak. 是相当危险的政治隐喻；
五、强弱转换在于认清规则，反转规则（好了，不能再多说了，点到即止）；
六、卡车司机是典型的霸凌者，看碟下菜，外强中干，不然干嘛要问男主的空手道段位？自杀的那位学员则是货真价实的霸凌受害者；
七、办公室政治，圈里圈外，都不容易，职场人士意淫一下就好了，别轻易付诸实践；
八、没人觉得道场教练魅力非凡么？觉得可以出前传；
九、关于两性的刻板印象，倒没提供多少新意，有人说该片还有同性恋的内涵，可能我直，感受不深；
十、冷飕飕的笑点，不一而足，且配乐极棒，因为几乎没有；
十一、中文片名中的“自卫”二字虽是忠实直译，但内涵远超英文片名，国人自然懂。
勉强凑足十一条，算是致敬道场十一门规吧。顺便提一下，那位用英文写影评的朋友，就是大谈尼采的那位，英文漂亮，影评相当到位，真心话。
9张漫画风格长图带你看懂《自卫的艺术》。
这部电影漫画感极强，而且摄影非常出色，调皮了一下，利用电影剧照制作了9张长图篇幅的漫画。
对白没有完全忠实原片，但是巨对是原本对白内容的高度提炼，满满的精华。
也许你已经注意到，凯西的扮演者就是杰西·艾森伯格，《蝙蝠侠大战超人：正义黎明》中的反派莱克斯·卢瑟的扮演者。
不知道大家是否还记得2009年的《僵尸之地》，丹尼尔在其中扮演末日中幸存的计划通宅男哥伦布，正是这部不起眼的丧尸电影使得怀才不遇的杰西·艾森伯格声名大噪。
此次推荐的2019年新片《自卫的艺术》则是杰西·艾森伯格在黑色喜剧方面开拓戏路的一次大胆尝试。
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2019《小丑》现象级热度成因解析⬇️