我就是我的电影 Was ich bin, sind meine Filme(1979)

又名: I Am My Films - A Portrait of Werner Herzog / 我就是我的電影 : 荷索的畫像 / 这就是我的电影

导演: Christian Weisenborn 欧文·科伊施

主演: 沃纳·赫尔佐格 布鲁诺·斯列斯坦 埃娃·马特斯 Burkhard Driest 威赫姆·冯·霍姆伯格

类型: 纪录片

制片国家/地区: 西德

上映日期: 1979-04-19

片长: 93 分钟 IMDb: tt0139735 豆瓣评分：8.3 下载地址：迅雷下载

简介：

★德國新電影巨擘、世紀影像大師韋納荷索的珍貴紀錄片

演员：

欧文·科伊施(导演) 沃纳·赫尔佐格 布鲁诺·斯列斯坦 埃娃·马特斯 Burkhard Driest 威赫姆·冯·霍姆伯格

影评：

1. "You know, school, I really hated it. We spent half a year Goethe's Iphigenia, and another six months reading his ‘Faust’. It was terrible, inhuman... I have never read ‘Faust’ since, because it made me vomit.
   
   At the time I knew: something decisive is missing there. All that pseudo-academic analysis and pulling to pieces! All the love we could have developed for these things was knocked out of us.
   And I always found it important to be able to develop a simple fondness for a literary work or a painting, and today I know even more: Nowadays, when I see a film, say, by Murnau: Nosferatu or when I see Todd Browning's ‘Freaks’, or other films, there are times when a sudden realization comes over me, and then I know I am no longer alone.
   
   There are such moments in film-making and such moments in real life, too. And it's well worth while putting up with years of humiliation for that. To be quite personal, looking back over the last ten, twelve years, I have struck up no deep human relationship that did not arise out of film making. That's the only way I really got at people. I have never been able to strike up a relationship these past 15 years any other way. That's one side. And the other is, to put it rather stodgily: my responsibility towards history. If I were supposed to make a ‘Sex Life of Schoolgirls’, well, that wouldn't be possible, I couldn't do it.”
   
   Q: Many children have a secret... How about you?
   A: Sure, we had that a lot in our family. But I would never talk about it. Yeah, there are things that must remain untouchable, even if you are, let's say, married. If you know everything, it doesn't work. Life then becomes unbearable. That's what I have against psychology, too. First, because they act insolently, as if it were a normal science with a secure body of knowledge, whereas really it has reached a stage that skull surgery maybe had reached under the Pharaohs. That's one thing, the other is, I don't think it's wrong to pursue this branch, because we have too many symptoms of sickness that must be investigated. But still... it is, somehow, a state of helplessness, just as letting blood for centuries documented the helplessness of medicine. Psychology is the helplessness of our age. It tries to illuminate the tiniest corner of what makes us to human beings. A room that is illuminated down to its tiniest corner is no longer habitable. It makes for uncomfortable, uninhabitable people.

2. 人生四十岁之际，回忆自己二十年的导演创作生涯，讲了自己的童年和家庭情况，这比19年来中国时讲的更冷血一点，讲父亲的缺失，称他和兄弟姐妹十五人是五窝，他们这窝是兄弟三个，讲自己曾险些害死小弟弟，这让他学会了克制，以及他们之间还发生过什么不足为外人道也。

   谈导演事业，其实这个时候赫尔佐格已经有意无意将他的所有电影组成一部更伟大的电影了，同时他已经能做到几天完成一部剧本创作，他觉得电影是体力活得参与其中。

   当然最有趣的还是他跟金斯基的故事，第一次合作是阿基尔，从此开始俩人的虐恋人生！金斯基想中途退出，赫尔佐格告诉他，我有一把枪，可以先毙了你，我再自鲨。最近的局子在三百公里外，他们赶不过来救你。然后就是工作人员未提前通知赫尔佐格的金斯基咆哮录音，哈哈哈，金斯基片场歇斯底里的恶名远播，赫尔佐格绝对功不可没。但赫尔佐格也解释了，这就是我俩交流的方式，我确实啥也不懂，金斯基教会了我很多！好家伙，闻到了“爱情”的味道！