舞魅天下 第六季 So You Think You Can Dance Season 6(2009)
简介：
- 以下来自FRTV：
演员：
影评：
- 不期而遇
带着海风和贝壳的质地
此时此地，美丽如你
——Billy Bell
---------------------------------华丽丽的分割线---------------------------------
看到有人说恐怖片很励志，恕我对这种标新立异的讲法不能苟同。我依然很庸俗的认为真正励志的是真人秀。盛大，真实，野心勃勃。
最近在看SO U THINK U CAN DANCE 6。
忽略了眼泪、自白和评委的尖叫，我只爱那些身体舞动的美好时刻，无论是当下最能抓住眼球HIP-POP，还是充满风情的JAZZ，抑或是最直击心灵的CONTEMPORARY，每一段SOLO都仿佛让我重新找到童年时代丢失的珍宝，满心都是流淌的感动与飞翔般的幸福。
最爱的是Billy Bell，那段让我难以呼吸的SOLO。我听得到To build a home行云流水的钢琴乐和回旋反复的吟唱。而他，像从天空倾泻而下的流水和白色的飞鸟，宛如刚刚在舞台上诞生的孩子，只是恣肆地舞，完全不知道自己的好。
19岁的年纪，仅仅5年的舞蹈生涯，Juilliard的学生，无论是批评，伤病，或者是赞赏，都不能改变他一如既往的腼腆、谦逊有教养，在他身上丝毫看不到刻意炫技的成分和选秀节目中常见的极端反应，而他又才华横溢得能够让每次评委大叔和评委大妈们脸上都挂满爱怜的笑容，怎么能让我不喜欢呢。而因病退赛的结果更是让我震惊且期待，期待第七季里他的每一个笑脸，每一个动作，每一句带笑出来话，腼腆，谦逊而不做作。
总之，有梦想的人是好的，有才华的人是好的，低调的人是好的，以梦想为名用才华和汗水低调地战斗着的人也是好的，所以咱的小Billy是最好的：）
P.S原谅我先为自己浅薄的遣词造句汗一把。。。
转一篇在外文博客上看到的文，博主应该是舞蹈评论的业内人士，在这里致以谢意，应该是在Billy休赛以后，给喜欢和期待Billy的人们
INTERVIEWS WITH SONYA TAYEH AND BILLY BELL
December 10, 2009
Okay, here are the interviews I did with Sonya Tayeh and Billy Bell last week at the DeMa Dance Company rehearsal. (Bell and Tayeh are most known for their work on So You Think You Can Dance, if you don’t know - Bell was on the show briefly at the beginning of the season and had to withdraw due to illness, and Tayeh is a choreographer). I spoke with them very quickly, during their tiny lunch break, and I shared the interview with a writer from Dance Spirit magazine. It was hard to get everything down (especially with Billy, who is a fast talker!) and remember the other writer’s questions, etc. (I intend to get a flip camera for the future). Anyway, it’s hard to put this in a question / answer format, so I’m just going to summarize and paraphrase what they each said.
Billy was so sweetly enthusiastic and excited about his life. So much fun to talk to!
First things first - SYTYCD, since that’s how most people know him. He said he definitely plans to return to the show next season. The producers told him he’ll be automatically advanced to the top 100 - so he’ll start out at the Vegas auditions and go from there.
He had to leave the show at the beginning of this season after being diagnosed with Mononucleosis. The problem wasn’t that he was contagious any longer by the time he was diagnosed, but that the illness had significantly enlarged his spleen, and he even had to be hospitalized. Doctors told him if he moved too much with his spleen so enlarged, he could have ruptured it and died. It would likely take a few months for the spleen to return to normal size, they said, which is why he had to leave the show at that point. Now, it’s nearly back to normal though it’s still a slight bit enlarged. “That’s why I wasn’t really dancing full-out,” he said with a little laugh, referring to the rehearsal we’d just seen. Dance Spirit woman and I nearly fell off the couch at this. “If that wasn’t full out, I can’t imagine what you normally look like!” she said. And I agreed. He seemed completely healed to me, to make a massive understatement.
I asked him how he got started in dance. He said he started late, in high school, and he actually began with Hip Hop. His lack of early training didn’t matter for that dance because, unlike ballet for example, the movement isn’t codified. But he soon became interested in Jazz, for which he needed ballet training. He initially learned by mimicking movement, but he soon enrolled in the ballet academy at Ballet Florida and, in order to make up for lost time, really threw himself into it, moving very close to the studio and taking several hours of dance per day, along with his other studies. After a while of ballet, he became interested in tap, and so began training in that too. He’s interested in multiple dance forms but considers his main style to be contemporary ballet.
I asked him who his favorite dancers were or if he had any particular heroes or sources of inspiration. He immediately named Andrea Miller, choreographer and director of Gallim Dance, whom he called his “personal mentor.” He’s worked with her before - when he was 18, his first pro experience — and he performed her work at the Joyce SoHo. He loves her approach to movement and how she teaches: she wants you to experience the movement in your body, he said; it’s not just about the positions, but about how the movement makes you feel. He’s excited to be able to work with her again at Juilliard; she’s to set a piece there soon.
I asked him what other choreographers or companies he’d like to work with. In addition to Gallim, he named William Forsythe and Ohad Naharin’s Batsheva. He finds in this “dance theater” an outer simplicity and yet so much complexity behind it. “What’s going on inside you - (with Gallim and Naharin’s Gaga training) - is simple and yet so complex.” He would also love to do some Paul Taylor, Merce Cunningham, Jose Limon, Jerome Robbins, to name a few.
But his biggest passion: choreographing. He wants to dance while he’s young but eventually his goal is to create dances. He said with a laugh that he loves “destroying ballet” - kind of bending those rods ballet dancers seem to hold up their spines and freeing them up, allowing them to go back and forth between different kinds of movement. He loves being able to work with dancers and bring certain things out in them. He strives to move people emotionally, to move the audience, he loves having that power. He choreographed his first piece — 15 minutes long — at Dreyfoos, his high school back in Florida. It was performed there at a show in January.
But that’s in the future. In the meantime, he’s finishing up at Juilliard (he’s about halfway through his BFA; has another couple years to go), he has the SYTYCD Vegas auditions coming up next season, he’s participating in a choreographic competition that travels throughout the States, and he just became a principal dancer at DeMa this month. Despina Simegiatos, one of the artistic directors of DeMa, says back when she was looking for strong male dancers for her fledgling company, she found him on YouTube, through some videos he’d posted, and really fell for him. He hadn’t yet gone on SYTYCD.
He’s excited about working with DeMa because it’s a company that seeks to fuse the creative with the commercial. Companies are where artists can focus on their creative work, but commercial work is what pays the bills. In an ideal world these would be fused, but in the U.S. they rarely are, he said. He seeks to be able to transition back and forth between the two. He’s excited about working with Sonya because he was just about to work with her before he had to leave the show. A couple of other Juilliard students are also dancing with DeMa, which makes the company feel homey to him.
He sweetly said he considers himself the luckiest person in the world that he gets to do what he loves and get paid for it. - 追到這個點上，看完10進8揭曉的這一集我真的難過了。Noelle會離開是意料中的事--事實上她能擠進10強就已經出乎我意料了。不否認她也算可愛，就是缺了點能讓人記住的特色，給人的印象也太平面了。
20強誕生以來最喜歡的是Russell，也相當看好Nathan。我是非專業眼光，向來不太懂得欣賞現代舞，一般上會覺得沉悶、常常會看到囧點，但看Billy海選中的獨舞差點流了淚，也覺得Jacob的舞很美。那個時候我覺得Mollee特別亮眼，像是一朵盛放的向日葵之類的花。
那時候還是蠻喜歡Legacy的，主要是覺得他的態度相當謙和。隨著節目的進展，評委們對他的偏愛越來越明顯，目前可以說是已經過了頭。百度貼吧里都是攻擊‘史強哥’的帖子，美國人的博客里也不見得對他有多高的評價。B-boy中他固然稱不上史上最強，在20強后的進步卻是有目共睹，只是絕對到不了評委們將他吹捧到的這個程度，也還夠不上其他舞者的程度。奶酒大可以少說幾句，與事實不符的評價只會引起觀眾更大的不滿。
所以說，我很難相信Nathan的人氣竟然會低于Legacy。對美國觀眾的口味和Legacy實際上的知名度我不太清楚，但我認為，作為一個虛心好學但樂感始終不是很好的B-boy，走到這里已經很足夠了，大家更能夠接受。十強的獨舞中他特地選了首旋律感較強的配樂，但配樂在那段舞中根本可有可無，反倒更凸顯出他在樂感方面的弱勢。他的表現不算好，甚至不必Ryan好，更不用說Nathan。我不至于認定他的眼淚和言論都是在作秀，也不愿意那樣想，但覺得真是夠了。
現在剩下來的男人中除了Russell和Jacob，其余兩個無論是誰進入四強我都接受不了；至于女的，我希望是Kathryn和Ellenore。一直不太感覺得到支持夫妻倆的呼聲--你要我相信他們的粉絲都不上網？
這一季除了史上最強的B-boy外還有史上第一對夫妻、史上第一次進入20強的踢踏舞者還是三個。強調得很刻意的賣點很多，Nathan和Mollee正太蘿莉組最初夢幻組合的假象也是奶酒捧出來的。史上第一個Krumper Russell還算稱職。我特別喜愛Russell并相信他自有其優秀的地方，天賦很高，謙和憨厚，在舞蹈上或是人格上都沒什么可挑剔，但即便是我也覺得評委對他的贊許有些刻意。那幾支淡而無味的雙人舞我始終不知道好在哪里。奶酒幾乎每一集都要強調一次Russell沒有受過其他舞種的訓練、明明大多數舞者都比Nathan大不了多少卻老是強調他年紀小。其實，我明明記得Russell在海選中說過他學過現代舞、爵士舞、踢踏舞等等等等的... - 等不及要看本周的舞了，會先看劇透。本周起每對會多跳一支舞。自進入20強以來，Russell始終沒有太出彩的表現。撇開個人的偏愛，我還是覺得他被編舞拖累了，大概沒什么簽運，舞伴也不怎么地。奶舅和那個并未入選的世界冠軍舞伴都說他完全不像是未曾受過其他的舞蹈訓練，由此可見他的天賦，但幾場下來也只表現出了稱職而已。
之前我說Legacy沒什么過失，其實何止那樣而已，我只是有些不甘心。其實在海選中我還蠻喜歡他，主要是因為感覺作為一名小有名氣的B-boy他表現得相當虛心，而虛心的人往往可以走得遠。他果真走得很遠，連同那個更不起眼的Kathryn一起，跌破很多人的眼鏡。這一對很神奇，幾乎有了命中注定的意味。沒記錯的話他們應該是唯一從來沒有排到尾三的一對，每周都叫人驚艷--抽中的編舞固然好，但不得不承認，他的進步遠不止于‘以他的水準而言很好’的程度。
覺得Legacy和Kathryn有好些共同點--嗓音高、容易激動，所以應該是相當有靈犀的一對。初時對Kathryn幾乎完全沒有印象，漸漸才發現她就是那個公布20強名單那一集里情緒激動起來聲音就會越提越高的那個女孩--當時覺得那簡直滑稽得不真實，心想這女的應該不會待很久。Legacy也一樣，開始的時候除了幾個高難度動作外其他部分都偏弱，學舞也并不靈巧，幾乎被淘汰，入選了20強以后也不被看好，但我想也是時候承認我看走眼了。這兩只放在一起，感覺硬是很對。套用某博主的一句，you can tell they truly support one another in their crybaby ways，這一句把我萌倒了。
沒想到第一篇評論寫的竟會是這兩只。 - 看到很多评论对夫妻档无爱！！！可我就是异常喜欢A！！
1
当然，其实A的个性真的不突出。也许因为我是直接从e15开始看的，开场就是她和jacob的那个hip-hop，太帅了！！根本想不到A是跳拉丁的……
2
跟很多人相反的是，怎么看ellenore都无法顺眼，不喜欢她在每个舞蹈里都要加上自己脖子的动作，总觉得像在看耍猴……
3
为什么要淘汰molly和nathan！！！！！！！！我觉得8进6的那场，molly跳的比ellenore好的多的多了！观众都是瞎子啊tmd！！还有就是ryan啊，居然能进6啊，虽然我挺喜欢夫妻档，可他的技术和个性真的差很多啊！！
nathan好像在之前就被淘汰了，但我觉得被淘汰那次他的solo异常精彩，不过不太喜欢他每次跳完以后总要摆个苦瓜脸啊！！！
4
真没想到第一是russel！！！jacob多好啊！！！！！
ps个人感受：好像跳现代舞的舞者都有很强的可塑性。russel真是个特例……
个人还是最喜欢hip-hop和拉丁，其次是jazz和百老汇。