完美的人 Det perfekte menneske(1967)
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摘自youtube：
You are to look at the perfect human and wonder how they achieve perfection, when in fact the perfect human does not know and wishes to know all the same. In fact (and quite obviously) the perfect human is not the perfect human, merely an image created by society. The white room that is described as endless and freeing, is actually the thing that is keeping the perfect human contained. Perfection itself, and the endless struggle to achieve it, is what ultimately holds us back. Nothing in life is surface level and everything has meaning. Ultimately the less meaningful something seems, the more it usually is.
你要看着完美的人，想知道他们是如何达到完美的，而事实上完美的人并不知道，却希望知道一切。事实上(很明显)，完美的人不是完美的人，只是社会创造的一个形象。白色的房间被描述为无限和自由的，实际上是保持完美的人类包含的东西。完美本身，以及为达到完美而进行的无休止的努力，是我们最终止步不前的原因。生活中没有什么是表面的，一切都有意义。最终，一件事情看起来越没有意义，它通常就越有意义。
是我认为很有意义的理解。
在这里引用，供君参考。
完美的人，看完了。 我判断一部实验性电影好坏的主要判断点是，它是否具备美感，这部影片显然是有美感的，因此我首先定调就不会定为差片。 它其实呈现了一种人的外化状态，它展示了人与人之间的不可理解，人与人之间观察与被观察的关系，交付了一段普通，焦虑，平淡，期待与乏味共存的生活切片。这样的状态显然庸碌且边缘，甚至被鄙视，但它其实是我们每个人都会流露的状态。因此完美的人，就是对平凡人自傲的一种讽刺。 但它几无讨论，他只是呈现，在这样一部电影必须探究某个观点的时代，这种表达是不够的。但也许也有一些好，它不像今天这样，电影成了一根管道，你坐在椅子上被动观看，就是自愿地接受创作者的思想灌输，而这部影片，其实是激励人思考的，他把判断与思考的自由，全权交付给你。 看黑白片，有一点，就是它不会有那种“安静焦虑”，它会有沙沙声，我不知道来源是什么，也许是胶片放映机，但这个声音确实能提醒你它在播放，现代电影有时太安静了，让你感觉一切都停下来了，有时也黑的太纯粹，让你以为不小心暂停了，不小心踢掉电源线了，但这的原因其实在于媒介，在电影院看电影，其实就会有这种安心，因为你其实是完全把你自己，交付到一个非你控制，安静，黑暗，陌生的环境里，但你却与这种环境产生了和谐，安心，甚至依恋，这可能是很有趣的事情。 4分。主动摄入，自由思考，这可能是稀缺品，书籍在这个时代的普遍视频化，通俗化，甚至电影这种视频媒介本身的再次简化，压缩，就是稀缺的佐证。它是应该主动去寻求的稀缺品，它代表了思考的艰深，它不断地更稀缺，更奢侈，但它也许不该这样。
Most likely, one knows of this movie through Leth's collaboration with von Trier. But it will be rewarding to place the film in his own oeuvre, particularly in relation to his documentaries and poetry. "There was no story line. It was like an observation of life. It was definitely very modern. It was more related to my poetry than my other films. I made it also in a reaction to the conventions of the documentaries films as I said before. I wanted to have a pure kind of language. I was inspired by commercials and publicity films, which are sometimes working with the isolation of objects and persons in an empty space." "To further the notion of painting : it moves me and touches my heart to see Picasso return to one single motif hundreds times. Like in his high age, he’s eternally repeating the motif of the artist himself, working, observing or painting the model, a woman. He could paint this hundreds of times without repeating himself. I think for me it’s the ultimate that you can still find a motif so revolting to get back to, and to find new meaning. This was clear when I did “New Scenes from America” some years ago, when I did the impossible act of going back to the “66 Scenes” and to exactly the same places, and in some cases, looking at the same people again. Sometimes it’s very risky business because the first film was declared a classic. " --interview with Sylvie Lin cite:
- 《完美的人》
丹麦电影约根列斯于1967年拍摄了这部12分钟长的关于人的行为方式的经典短片。该片与五道电影难题同时反映。
Jørgen Leth | 丹麦 | 1967 | 12 分钟 | 35毫米 | 丹麦语配中英文字幕
The Perfect Human
An elegant and humorous film – in the guise of a serious anthropological treatise – spotlights “The Perfect Human,” a model of the modern Dane created by our wishful thinking.
Jørgen Leth | Denmark | 1967 | 12 minutes | 35mm | Danish with Chinese and English subtitles